Are you familiar with the term “easter egg” as it’s used in relation to movies? Just in case you aren’t, essentially it’s a little extra “something” the movie makers planted in the background for movie goers to discover. The folks producing the Marvel films are notorious for doing such things. I remember the first time I noticed an easter egg in the very first “Iron Man” film. As the camera panned through Tony Stark’s lab, I caught a glimpse of Captain America’s vibranium shield being used to prop up a portion of his experiment. There it was, a little something special, and a nod to the Marvel nerds that we should be expecting a film about the first Avenger on the near horizon.
The reason this comes to mind is because this past Saturday while having lunch at Subway with Evelyn, we were talking about easter eggs in movies. At one point she asked, “Do you hide stuff in the things you write?”
It was an insightful thing to ask. And yes, I do. I hide things in my articles. I plant them all over the place in my books. I weave them into sermons. I drop them into so much of what I scribe. I think a lot of writers do. In my opinion, sometimes the hidden things are the best tools for teaching.
For example, it’s most often true that you shouldn’t just lob the entirety of an idea at someone who’s never confronted it before. It can be startling. Instead, planting the idea in various forms over the course of time is a great way to help someone become familiar with the idea long before they realize the familiarity is actually there. It’s psychological, of course. But if not abused, it’s a great way to make an out-of-the-box idea less frightening, and in the end, to move the ball down the field toward a goal.
I suppose a looser example would be the things I hide for myself. They’re there, but I’m the only one who knows about them. I shared with the Board of Elders once that if I find myself struggling with a sermon, sometimes I’ll muscle through the effort by actually making the task harder. I do this by establishing unusual rules for the manuscript. One way I do this is by requiring myself to make the first and last sentence of each paragraph have a certain meter or rhyme scheme. No one in the pews ever notices—at least no one has ever told me they’ve noticed—but I know the pattern is there. And it has a purpose. Its purpose is, more or less, to force me into a stricter mode of concentration while I’m crafting the sermon—to work harder at understanding what I’m really trying to say and to choose the best words. It might sound crazy, but in the end, it usually comes to a conclusion with me feeling a little more like each paragraph is more closely knitted to its surroundings.
I shared this secret with a fellow LCMS pastor in the area and he laughed out loud, saying it was a ridiculous practice. Well, whatever. Weird? Yes. But it seems to work for me.
I spent last Thursday reading through portions of my book Type One Confession: God, a Pastor, and a Girl with Type 1 Diabetes. I’ll read it on occasion as not to forget just how far God has carried me and my family in the past few years. If you know the pulse of the book, then you’ll know it’s a visceral mixture of conversations between me and God. The whole book is filled with easter eggs, but there’s one chapter in particular—Chapter Fourteen—in which I take time to translate the Christian ability to see how the various things of God along the weary of road of life fit together. They’re there. Maybe we notice them and maybe we don’t. Either way, they create a Christian universe that spins around a bright-beaming message at the center of its gravity. I call the ability to see the universe “Christian Recognition.” Not a fancy term. And instead of explaining it, I’ve included the chapter below. It’s a quick read. Take a minute with it and I think you’ll see what I mean.
After you’re done, I think you’ll also have figured out what’s hovering at the center of the universe. If you guessed the death and resurrection of Jesus Christ for your salvation of your soul, then you’re right.